Monday, January 9, 2017

Dehumanization in A Good Man is Hard to Find

Flannery OConnor was cognise for her gray Gothic leveltelling, and her story A Good military personnel is Hard to Find  is no exception. The story is set in the 1950s during a dark diaphragm of American history when Jim vaporing laws continued to segregate citizens. Although non the main focus, OConnors mention to pickaninnies in the text reveals the way mainstream general culture disseminated vile stereotypes that get along dehumanized black children by viewing them through a grotesque lens. The grotesque dash in which pickaninnies ar expound communicates the way they were widely viewed in society during this era.\nThey were viewed as having, bulge eyes, big red lips, and they plow in a primitive, stereotyped dialect. They be often shown stuffing their wide mouths with wa destinationelon or chicken, which they usu in ally stole. They are unkempt, suggesting that their parents are neglectful. Very often they are shown nude, a level of sexualization that is particul arly troubling due to their bestride (Caricatures of  African Americans...). The grannies use of the term pickaninny, and her continued storytelling drivel, exemplify an indecent caricaturization of Southern black children. Additionally, although brief, the grandmothers observations await to touch on of all aspects of what defines a pickaninny during this snip period.\nThe grandmother believes she is superior to others and her despite is clearly conveyed during a family lane trip to Florida. Before leaving, the grandmother wanted to make indisputable she was dressed in a ladylike outfit comprised of exsanguine cotton gloves, a navy sour blue straw crew member hat, and a navy blue dress (OConnor 195-96). Her appearance was definitive to her, but belies her true nature, which was revealed during their travels. Her reference to pickaninnies seems to reference the old Southern way of life, and the flaws in her character. Oh sapidity at the cute piddling pickaninny woul dnt that make a picture, now?�...

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